This month we’ve got 5 completely different tunes from local stars, all reviewed by Gan On’s Alice Old. Be sure to check them out on your favourite streaming platform!
‘By My Side’ – Patrick Gosling
By My Side is a heartfelt ballad that radiates warmth and sincerity. The song’s gentle melody and tender lyrics weave a comforting narrative of love and devotion. Gosling’s emotive vocal delivery adds depth, perfectly complementing the stripped-back arrangement. It’s an intimate and soothing piece, ideal for moments of quiet reflection or heartfelt connection.
‘Big Deal’ – Hivemind
One of Sunderland’s most respected and prolific rock bands, Hivemind are renowned for their anthemic riffs and huge swelling choruses – Big Deal being no exception. This one is bouncy though, with offbeat drums and proud, bratty lyrics. Lead singer Georgia may be a tiny thing but makes a huge racket, showcased during Hivemind’s recent live session on BBC Introducing.
‘Valentine’s Day’ – Jenny Dean
Jenny Dean’s Valentine’s Day is a tender and introspective ballad that beautifully captures the bittersweet nuances of love. With soulful vocals and minimalist instrumentation, the track exudes warmth and vulnerability. Dean’s poignant lyrics and delicate delivery resonate deeply, evoking a sense of quiet longing. It’s a heartfelt ode to love’s complexities, perfect for reflective moments. A quietly stunning piece.
‘Disgusting Love’ – Look Terrified
Disgusting Love is the latest from ultra-sexy indie duo Look Terrified, who may have won 2024 with their handful of strong releases, beginning with ‘Friendly Fire’ back in February. Singer Austin blends a conversational vocal with an auto tuned falsetto, with visceral and direct lyrics that border on the cynical—love, but disgusting.
‘Eyeliner’ – Precious Ink
Fresh off an appearance at Waves Festival, Precious Ink follow up fan-favourite single ‘Shoot the Messenger’ with another banger. As well as their sweaty live shows, Precious Ink have built a reputation for releasing radio-unfriendly indie punk anthems, with Hannah’s prominent vocal cutting through the scratchy guitar tone and the big building drum and bass track. What’s next for the Inkers—an EP maybe?
From Sunderland? Got Tunes? Send us an email at areet@ganon.co.uk to be considered for review in future editions.
